writing

'I’m a Ukrainian, and I Refuse to Compete for Your Attention' (7 November 2023)

In Ukraine, Culture is an Act of Resistance (23 February 2024)

People of Culture Taken Away by the War (curator and author)

Preserving the Canvas of Culture (curatorial essay)

Mother Tongue: The Story of a Ukrainian Language Convert (23 February 2023)

In Latvian: Dzimtā valoda: stāsts par valodas metamorfozi, Punctum (17 April 2023)

The Russian landmine with a deceptively poetic name (17 May 2023)

The Ukrainian 'fixer' on a lesson in courage (18 February 2023)

How this Ukrainian fairy tale ends (14 December 2022)

Don't wake the nuclear giant on our doorstep (2 September 2022)

Secret diary of a Ukrainian 'fixer' (20 July 2022)

What centuries-old poets got right about Ukraine (11 May 2022)

Culture as Witness in Ukraine (1 November 2022)

Ukraine at 30, Part II: An Abundance of Emptiness (23 August 2021)

Subverting the Canon of Patriarchy: Lesya Ukrainka’s Revisionist Mythmaking (25 February 2021)

Атомна тривога Дикого поля: колонка кураторки Саші Довжик про ситуацію довкола Запорізької АЕС, Суспільне (26 червня 2023)

Описати те, чого ніколи не мало відбутися: погляд на деокуповані міста британської дослідниці, Українська правда (5 травня 2023)

‘Ukraine fatigue’ is dangerous – and Putin is banking on it (8 June 2022)

A question from Lviv to the world: are you going to leave us to face the Kremlin’s madman alone? (4 March 2022)

Ukrainians like me want you to keep attending rallies (18 April 2022)

I moved back to Ukraine from London to help my fellow countrymen (2 March 2022)

A Letter from Lviv: Courage in Ukraine and Beyond (2022)

I am the editor of the Ukrainian Institute London's special publication London Ukrainian Review. 

The first issue was dedicated to the thirtieth anniversary of the referendum on the Act of Declaration of Independence of Ukraine:

Ukraine: 30 Years Young [editorial] (1 December 2021)

The second issue marked six months of Ukraine's fight against Russia's full scaled invasion and celebrated Ukrainian tradition of defiance through the lenses of Lesia Ukrainka:

Ukrainian Cassandras [editorial, co-authored with Olesya Khromeychuk] (24 August 2024)

Learning the lessons of Ukraine (2022)

Where the wind blows: on the living legacy of Chernobyl (2019)

Can the crisis of food waste be solved with an iPhone app - or is Too Good To Go too good to be true? (2018)

The future of ownership: reduce, reuse… rent out? (2018)

Lesia Ukrainka at 150: A journey through the British Library collections: Part I  (2021)

Lesia Ukrainka at 150: A journey through the British Library collections: Part II (2021)

The 'Artist Maks': The Ukrainian Disciple of Aubrey Beardsley (2018)

Review of Aubrey Beardsley at Tate Britain (2020)

Review of Serhii Plokhy's Chernobyl: History of a Tragedy (2019)

Where the wind blows (2019)

Europa On Trial? (2017)

The Rimbaud and Verlaine Foundation: Ballet with Beardsley (2021)

Birkbeck English: Depicting Donbas: Creative and Critical Responses to the War in Ukraine (2019)

Centre for Nineteenth-Century Studies: The Eve of St Aubrey: Re†Collecting Beardsley (1872-1898): Conference Blog (2018)